The Economist interviewed me a few months ago about Somali music. I've recently received a mail from the interviewer to the effect that the article would possibly be published soon, albeit "cut down considerably to 500 words". The full interview would cover almost all the inquiries I regularly receive from other interested parties as well - about a dozen in the last couple of months alone. I can no longer hold off replying to (repeated) requests on the premise and promise that an extensive interview is in the pipeline. All the more since the article/heavily edited interview, if ever published, may ironically raise more questions than it would answer. This is why I'm posting it here verbatim.
Tuesday, July 30, 2013
Interview About Somali Music
The Economist interviewed me a few months ago about Somali music. I've recently received a mail from the interviewer to the effect that the article would possibly be published soon, albeit "cut down considerably to 500 words". The full interview would cover almost all the inquiries I regularly receive from other interested parties as well - about a dozen in the last couple of months alone. I can no longer hold off replying to (repeated) requests on the premise and promise that an extensive interview is in the pipeline. All the more since the article/heavily edited interview, if ever published, may ironically raise more questions than it would answer. This is why I'm posting it here verbatim.
Labels:
1930s,
1950s,
1960s,
26ka Juun,
Amaal Nuux,
Asha Ali,
Cold Specks,
Danan,
Heegan,
Horyaal,
interview,
Noora Noor,
Onkod,
Sherissa,
Somalia,
Sulekha,
The Economist,
Traditional instruments,
Ubah,
Xusuus
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