Sunday, September 17, 2017

Faadumo Qaasim & Shareero - Maxkamaddii Jacaylka (K7, 1980s)



Beerta Nabadda Muqdisho (The Peace Garden Mogadishu)


This is the soundtrack of the 1980s theatre play Maxkamaddii Jacaylka (Trial of Love / Love Is On Trial). I don't have much to tell about it as I haven't seen it. Faadumo Qaasim & Axmed Naaji Sacad get together once again as the main singers on the album.

I'm not fluent in Banaadiri dialects and I’ve the impression a track or two may be missing and/or tracks are interchanged. For example, the first song's title implies that it's about the first (blind) date. However, the lyrics are warning from the outset against "the unconscionable satan that's driving/driven a wedge between Adam and Eve / the two [lovers] whose hearts are companions...". Its logical position would thusly be 6 or beyond and track 1 would be missing from my tape; happens a lot in copied k7s. Corrections and additional info. are most welcome!






1. Imtixaanka ("The Exam")


2. Dhabta I Saar ("Put Me On Your Lap")


3. Gar Waayee ("It Is/Feels Right")


4. Arooska Waa Noo Abshiree ("This Wedding is Rosy/This Marriage is Propitious")


5. An Kaama Baaqahaaye ("I Won’t Postpone It / I Won’t Make You Wait Long")


6. Waa I Gooheeyee ("He Cut Ties With Me")


7. Gooska Gadaal ("Hind Molar [Problems] / Painful Love / Lovesickness")


8. Qamartey Quruxdeed Qaymo Qaali Ehee ("My Qamar’s/Girl’s Beauty is Priceless")


Enjoy!




Saturday, September 9, 2017

Facts and Fables Compiled



Queens of the 1960s, '70s and '80s
NB: Issue with the BBC has been resolved. Scroll down to the end of the post for the result

The compilation Sweet As Broken Dates: Lost Somali Tapes from the Horn of Africa has been captivating the attention of the international press. As all interested could notice, it’s highly praised and rightfully so. The successful adventure undertaken by the compilers to travel all the way to and around the Horn of Africa certainly tugs at my heartstrings. 

What eludes the uninformed eye and nonpluses the marked soul is, sadly, that the coverage also propagates known and new myths about Somalia and its Hoobaal (ancient Somali Goddess of art/music). I’ll handle a few of the dazzling acrobatics presented as natural facts by the giants of the media, in some cases generously fed by the title of the album and the promotional buzz. How influential these media outlets are is illustrated by the huge number of sources that literally copied and pasted (parts of) their reviews.